Please pay attention!
Viewing and collecting items from this auction will be from Arugut
(and not from the gallery in Gedera!)
Address: Hrishonim 80, Arugut (Waze: Rak Shnia Bakfar)
@@All the furniture items are only in self pick from the gallery in Arugut@@@
All the devices and clocks in this auction are sold as they are, there is no gurantee for order condition.
Purchasing jewelry and gems: The auction house provides a description of the diamonds and gems to the best of its understanding and based on the knowledge and experience of the auction house experts. However, the auction house does not undertake to accurately describe the items in terms of stone size, color, level of cleanliness, condition (including description of defects) and whether it has undergone treatment or painting and the buyer is responsible for inspecting the diamonds and gems before sale. For the avoidance of doubt, no option will be given to cancel the purchase of jewelry, diamonds and gems or return them after purchase, even if the description does not match the ite
In this auction like the previous auctions, unsold items are not offered for direct sale after auction ends! please bid and participate during the auction!
The sale commission is 20% + VAT on the commission only. in a week time from the auction.
A fee of 5% will be added to late payments.
The dollar exchange rate for this sale is: $=3.63
New customers who have participated a few times in auctions will usually be approved with a limit on the amount you can offer at least initially. If you want to raise the amount or remove the limit, you are welcome to contact us by phone.
In this auction to Israeli clients, payment will be possible directly upon completion of the auction (the second part)
You will receive the invoice for payment and then you can choose the requested shipping method.
Please note the different costs: courier delievery as well as the different registered shipping costs depending on the weight.
If you are unsure about the shipping cost (registered upon weight or special complicated/breakable items) please contact us before making the payment.
Buyers from abroad will receive an invoice within a business day from the end of the auction including the shipping cost for the items purchased and will be able to pay online by credit card.
We only use the Israeli Post services or DHL (more expensive).
Shippments can be choosen in one of forward options:
1. Registered shippping (Israel post) prices:
Up to 2 kilo at a cost of 28 NIS
2-5 Kilo cost 35 NIS.
5-10 kilo cost 40 NIS
10-20 kilo cost 50 NIS
2. Courier mail of Israel Post for a package of reasonable size (up to 50X50X50 cm) and up to 20 kilos at a cost of only NIS 45. (Warranty and insurance according to the terms of delivery of Israel Mail packages only!)
We try to get the deliveries out of the gallery within two business days at the latest. The delivery time of the items depends on the Israeli post and global post work. Each buyer who pays on delivery, will receive a detailed email with the tracking number and a link to the tracking on the mail site accordingly.
*** Please pay attention! there is no gurantee for damage/breakage to items in any type of mail (registered / couriers)! A customer who confirms the delivery of items, will take into account that the warranty will only be in the event of loss until the cost is covered by the postal services only ****
In cases of complecated items and fragile items, the auction house may take an additional cost to ensure the proper packaging of the items.
With certain items, large or particularly complex items, the buyer will have to coordinate collection from the Auction House.
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ЛОТ 453:
The Haggadah, transl. by Cecil Roth, Litho illustr. by Donia Nachshen, 1934, English and Hebrew, Luxury ed.
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Продан за: $35
Стартовая цена:
$
35
Комиссия аукционного дома: 20%
Далее
НДС: 17%
Только на комиссию
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The Haggadah, transl. by Cecil Roth, Litho illustr. by Donia Nachshen, 1934, English and Hebrew, Luxury ed.
The Haggadah : a New Edition with English Translation, Introduction, and Notes by Cecil Roth; with Drawings by Donia Nachshen
Soncino Press, London, 1934., XX + 91pp. With color lithographed drawings by Donia Nachshen
Leather binding, gold letterin ang Magen David to cover, 24 x16 cm.
Condition: some wear and rubbing to spine; some light stains (finger prints) to first pages
Weight: 320 gr.
Donia Esther Nachshen (22 January 1903 – 1987) was a Ukrainian-born British book illustrator and poster artist who is now best known for the posters she produced for the British government during World War Two.
Nachshen was born in the city of Zhitomir, which was then part of Russia and is now in Ukraine. Nachshen was born into a Jewish family and after an anti-Jewish pogrom in the city in 1905, the family fled Zhitomir and eventually settled in London. Nachshen did well at school in London and enrolled in the Slade School of Art.[1] By the 1920s she had established herself as a successful book designer.[2] She illustrated translations of works by Arthur Schnitzler and the Nobel Prize winner Anatole France in a style based on Russian folk art and art deco elements.[3][4] Nachshen illustrated a version of the Jewish text the Haggadah in 1934 and also illustrated editions of works by Oscar Wilde and Samuel Butler.[5] She also produced illustrations for the Radio Times.[6]
During World War Two, Nachshen produced poster designs for a number of high-profile campaigns, notably the Make Do and Mend campaign run by the Board of Trade and also Telegraph Less for the General Post Office. She continued with her book illustration work during the War, producing designs for versions of "Diary of a Madman" by Nikolai Gogol and a 1945 collection of short stories by Fyodor Dostoyevsky as well as books by Enid Blyton.[7] After the War, Nachshen lived in London and continued to illustrate Russian novels and poetry, mainly for the publishers Constable & Co and also for the Lindsay Drummond company.[1] For the Russian novels, Nachshen used scraperboard to create dramatic illustrations that resembled a style of eastern European woodcuts, while for the children's book that she illustrated she used much lighter pen drawings.
