Аукцион 106 Часть 1 Special End of Year Sale in collaboration with the Rak Shnia Gallery only in Arugut: quality Israeli vintage, Israeli Ceramic, jewelry, Jewish history: books, documents, autographs and much more
от The Bidder
26.12.23
Harishonim 80, Arugut (wize: Rak Shnia Bakfar), Израиль

Please pay attention!

Viewing and collecting items from this auction will be from Arugut

(and not from the gallery in Gedera!)

Address: Hrishonim 80, Arugut (Waze: Rak Shnia Bakfar)


@@All the furniture items are only in self pick from the gallery in Arugut@@@


All the devices and clocks in this auction are sold as they are, there is no gurantee for order condition.


Purchasing jewelry and gems: The auction house provides a description of the diamonds and gems to the best of its understanding and based on the knowledge and experience of the auction house experts. However, the auction house does not undertake to accurately describe the items in terms of stone size, color, level of cleanliness, condition (including description of defects) and whether it has undergone treatment or painting and the buyer is responsible for inspecting the diamonds and gems before sale. For the avoidance of doubt, no option will be given to cancel the purchase of jewelry, diamonds and gems or return them after purchase, even if the description does not match the ite


In this auction like the previous auctions, unsold items are not offered for direct sale after auction ends! please bid and participate during the auction!

The sale commission is 20% + VAT on the commission only. in a week time from the auction.

A fee of 5% will be added to late payments.


The dollar exchange rate for this sale is: $=3.63


New customers who have participated a few times in auctions will usually be approved with a limit on the amount you can offer at least initially. If you want to raise the amount or remove the limit, you are welcome to contact us by phone.


In this auction to Israeli clients, payment will be possible directly upon completion of the auction (the second part)

You will receive the invoice for payment and then you can choose the requested shipping method.

Please note the different costs: courier delievery as well as the different registered shipping costs depending on the weight.

If you are unsure about the shipping cost (registered upon weight or special complicated/breakable items) please contact us before making the payment.

Buyers from abroad will receive an invoice within a business day from the end of the auction including the shipping cost for the items purchased and will be able to pay online by credit card.

We only use the Israeli Post services or DHL (more expensive).

Shippments can be choosen in one of forward options:

1. Registered shippping (Israel post) prices:

Up to 2 kilo at a cost of 28 NIS

2-5 Kilo cost 35 NIS.

5-10 kilo cost 40 NIS

10-20 kilo cost 50 NIS

2. Courier mail of Israel Post for a package of reasonable size (up to 50X50X50 cm) and up to 20 kilos at a cost of only NIS 45. (Warranty and insurance according to the terms of delivery of Israel Mail packages only!)


We try to get the deliveries out of the gallery within two business days at the latest. The delivery time of the items depends on the Israeli post and global post work. Each buyer who pays on delivery, will receive a detailed email with the tracking number and a link to the tracking on the mail site accordingly.


*** Please pay attention! there is no gurantee for damage/breakage to items in any type of mail (registered / couriers)! A customer who confirms the delivery of items, will take into account that the warranty will only be in the event of loss until the cost is covered by the postal services only ****


In cases of complecated items and fragile items, the auction house may take an additional cost to ensure the proper packaging of the items.


With certain items, large or particularly complex items, the buyer will have to coordinate collection from the Auction House.

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Аукцион закончен

ЛОТ 449:

Collection of 22 orig. antique photos PC of Ballet Dancers of Maryinsky Theater, Photographer D. Bystrov
In ...

Продан за: $500
Стартовая цена:
$ 500
Комиссия аукционного дома: 20% Далее
НДС: 17% Только на комиссию
Аукцион проходил 26.12.23 в The Bidder
теги:

Collection of 22 orig. antique photos PC of Ballet Dancers of Maryinsky Theater, Photographer D. Bystrov
In the plate below written in Russian names of Ballet Dancers and the name of the photographer of Mariinsky Theater Dmitry Bystrov
Photographs of:
3 photographs of Karsavina Tamara Platonovna
Spessivtseva Olga Alexandrovna
Petipa Marie Mariusovna
Gerdt Elizaveta Pavlovna
Kozhukhova Maria Alekseevna
Troyanovskaya Taisiya Alexandrovna
Fedorova Sofia Vasylievna
Vill Elsa (Elizabeth) Ivanovna
Biber Evgenia Eduardovna
Basanina (Lasheyeva) Lidia Anatolievna
Zuikov
Vladimirov Pyotr Nikolayevich, Will, Gerdt Elizaveta Pavlovna
Smirnova Elena Alexandrovna
Bol’shakova
Vladimirov Pyotr Nikolayevich, Semenov, Bol’shakova
Alekseyeva
Leontyeva , Shollar Ludmilla Frantzevna
Sherer
and two others (2 photos)
Condition: Good condition, light wear.
Dmitry Ivanovich Bystrov, a photographer, around 1908 became the owner of a photo studio at 124 on Nevsky Prospekt. Previously, Nikolai Dorofeev’s workshop operated in this house.
Since 1913, he has been mentioned in reference books as the owner of a photo studio in house 120 on the corner of Nevsky Prospekt and Znamenskaya Square.
In June 1915, the Directorate of the Imperial Theaters, after the termination of the contract with Karl Fischer, held a competition among those wishing to rent a photographic workshop in the building of the Mariinsky Theater. The winner of the competition was Dmitry Ivanovich Bystrov. In January 1916, the photographer entered into an agreement, accepted the equipment and began working in a photo studio.
Tamara Platonovna Karsavina (Russian: Тамара Платоновна Карсавина; 9 March 1885 – 26 May 1978) was a Russian prima ballerina, renowned for her beauty, who was a principal artist of the Imperial Russian Ballet and later of the Ballets Russes of Sergei Diaghilev. After settling in Britain at Hampstead in London, she began teaching ballet professionally and became recognised as one of the founders of modern British ballet. She assisted in the establishment of The Royal Ballet and was a founder member of the Royal Academy of Dance, which is now the world's largest dance-teaching organisation.
Olga Alexandrovna Spessivtseva[1] (Russian: Ольга Алекса́ндровна Спеси́вцева; 18 July [O.S. 6 July] 1895 – 16 September 1991) was a Russian ballerina whose stage career spanned from 1913 to 1939.
She was one of the finest prima ballerinas of the twentieth century. She had the excellent classical technique, immaculate style and scenic spirituality which are considered the embodiment of the romantic ballerina
Marie Mariusovna Petipa (Russian: Мари́я Ма́риусовна Петипа́; 17 (29) October 1857 – 16 January 1930) was a noted Russian ballerina. She was born in St. Petersburg, the daughter of Marius Petipa (under whom she studied) and Maria Petipa. Her debut was at the Mariinsky Theatre in 1875 in Le Dahlia bleu and her dancing career, mainly in the character dance repertoire, lasted until 1907, although she performed on rare occasions through 1911.
Elizaveta Pavlovna Gerdt (Russian: Елизавета Павловна Гердт; 29 January [O.S. 17 January] 1891 – 6 November 1975) was a Russian dancer and teacher whose career links the Russian imperial and Soviet schools of classical dance.
Sofia Vasylievna Fedorova (Russian: Софья Васильевна Фёдорова; 28 September 1879, in Moscow, Imperial Russia – 3 January 1963, in Neuilly-sur-Seine, near Paris, France) was a Russian ballerina.
Lidia Anatolievna Basanina (Lasheyeva) (1900 - 1970) ballerina, choreographer
Pierre Vladimiroff, or Pyotr Nikolayevich Vladimirov (Russian: Пётр Николаевич Владимиров; born February 13, 1893 in Gatchina, Saint Petersburg Governorate, Russian Empire – died November 25, 1970 in New York City, United States), was a Russian dancer and teacher.
Ludmilla Frantzevna Schollar (March 15, 1888 – July 10, 1978) was a Russian-American dancer and educator.[1]
Elena Smirnova (Russian: Елена Александровна Смирнова, 6 May 1888 (O.S.)/18 May 1888 (N. S.) – 15 January 1934) was the last prima ballerina of the Mariinsky Theater in the Imperial period of Russia. Starring in many leading roles, she often performed choreography created by Marius Petipa and Boris G. Romanov [ru]. Participating in early films of Germany and Russia, she made eight silent films and participated in the premiers of both the Ballets Russes in Paris and in the first performance of Russian ballet in Japan.
Maria Alekseevna Kozhukhova (February 22, 1897, St. Petersburg - November 26, 1959, Leningrad) - ballerina, teacher, Honored Artist of the RSFSR (1937) and the Uzbek SSR (195
Evgenia Eduardovna Biber (real name Evgenia Evgenievna [1]; July 18 (30), 1891 - June 1, 1974) - Soviet ballet dancer and teacher, Honored Artist of the RSFSR (06/01/1940).
Elsa (Elizabeth) Ivanovna Will (German: Elsa Will; May 4 (16), 1882, St. Petersburg, Russian Empire - 1941 or 1942, Leningrad, USSR) - Russian ballerina, Honored Artist of the Republic
Troyanovskaya Taisiya Aleksandrovna is a ballet dancer.
A graduate of the St. Petersburg Theater School (1916), Taisiya Troyanovskaya was a soloist with the Mariinsky Theater ballet in 1916–1941. In 1932–1935, she was also on the staff of the “Historical Concerts and Exhibitions” of the Hermitage Theatre.
In the Great Hall of the Leningrad Philharmonic, the artist took part in two ballet evenings in 1931
Дмитрий Иванович Быстров, фотограф, около 1908 года стал владельцем фотоателье в доме 124 на Невском проспекте. Ранее в этом доме работала мастерская Николая Дорофеева.
С 1913 года упоминается в справочниках как владелец фотоателье в доме 120 на углу Невского проспекта и Знаменской площади.
В июне 1915 года Дирекция Императорских театров, после расторжения договора с Карлом Фишером провела конкурс среди желающих взять в аренду фотографическую мастерскую в здании Мариинского театра. Победителем конкурса стал Дмитрий Иванович Быстров. В январе 1916 года фотограф заключил договор, принял оборудование и начал работу в фотоателье.