Аукцион 70 Часть 1 Decorative Objects, Judaica, Jewish and International Art, Photography and Postcards, Israeliana and much more
22.2.21
Израиля
 9 Leibowitsz street, Gedera

Gallery address: 9 Leibowitsz street, Gedera.


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Аукцион закончен

ЛОТ 269:

Anna Prismanova, Jewish poetess. Russian emigrant avant-garde poetry book “Bliznetsy” 1946, Paris

Стартовая цена:
$ 100
Комиссия аукционного дома: 20% Подробнее
НДС: 17% Только на комиссию
теги:

Anna Prismanova, Jewish poetess. Russian emigrant avant-garde poetry book “Bliznetsy” 1946, Paris
Anna Prismanova, Jewish poetess Russian emigrant avant-garde poetry book “Bliznetsy”( Twins)
The second book of poetry 1946, Paris. Association of Russian Writers in France
1st ed., 109 pp, not cut copy, soft cover, 19 x 14 cm., condition: brown fragile paper, some chipping to lower right corner
ПРИСМАНОВА Анна (1892–1960)
Близнецы. Стихи. Объединение русских писателей во Франции. Париж, 1946 г. 105 стр., в издательской бумажной обложке.
Anna Semyonovna Prismanova (real name and surname Anna Simonovna Prisman; September 6, 1892, Libava - November 4, 1960, Paris) - Russian poet of the first wave of emigration. The wife of the poet A.S. Ginger (since 1926).
She grew up as the eldest of three daughters in the family of a dermatovenerologist Simon Girshevich Prisman (1866—?) And Raitsa (Regina) Kusielevna Girshberg (1866—1898) [1] [2]. She had younger sisters Vera (1893) and Elizabeth (1897). She spent her childhood in Libau on the shores of the Baltic Sea. In 1898, her mother died of cancer of the esophagus, and in 1901 her father remarried to Sofia Leizerovna Izraelson (1875—?). In 1910 she converted to Orthodoxy.
In 1918 she came to Petrograd, where in 1921 she became a member of the N. Gumilyov's Union of Poets. She emigrated in 1921, first to Berlin, then to Paris.
She was one of the organizers of the "formists" association, which was in opposition to both the circle of D. Merezhkovsky and Z. Gippius, and the circle of the "Parisian note" of Georgy Adamovich. A number of critics saw surrealist tendencies in Prismanova's poems. According to J. Terapiano, the main idea of the formists was the sophistication of form, its perfection; metaphysics was subject to merciless destruction.
Her work was influenced by V.F.Khodasevich, B.L. Pasternak, O. E. Mandel'shtam, M.I. Tsvetaeva. Among the classics of the 19th century. She singled out M. Yu. Lermontov, and of the young poets abroad, she was closest to B. Yu. Poplavsky. In the mid-1920s. took an active part in organizing the Union of Young Writers and Poets, but then withdrew from the literary life of Russian Paris (an exception was the Nomad circle).
In the 1920s – 1930s, her poems were published in the magazines Volia Rossii, Sovremennye zapiski, Epopia, Vstrechi, Russkie zapiski, and the almanac Krug. The first collection "Shadow and Body" was published in 1937.
During the German occupation, she and her husband remained in Paris; in 1946, on the wave of Soviet patriotism among Russian emigrants, they took Soviet citizenship. Prismanova's sister, Elizaveta, returned to the USSR with her family.