Auction 25 From father to son - a collection of photos, pens, sports, porcelain and more...
By Perry's auctioneers
Wednesday, Nov 27, 18:30
Hamifal 3 Tel Aviv, Israel

1. Please ask all the questions and inquiries you wish to make before submitting the offer.

2. Shipments:

    - Courier mail: 70 NIS for a reasonably sized package up to 7 business days from the date of payment.

    - Large items or those that require special packaging: minimum NIS 100.

    - Fragile, large or expensive items for self-collection only.

    - Registered mail: due to problems with the mail, there are no deliveries by registered mail.

    - Self-collection by prior arrangement at our office: Hamifal 3, 2nd floor, Tel Aviv or Basel 40 Tel-Aviv.

3. Payments:

   - Bank transfer: Discount Bank, branch 118, account 1945051, Dror Perry.

   - Payment by "BIT" to the number 054-4426007. 

   - Cash payment up to NIS 6,000.

   - Israeli credit cards (in shekels only): plus 2.8% to the payment amount (on the hammer price including commission and VAT)

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LOT 9:

"Derriere le Miroir" (DLM) no. 198 (1972) incl. 3 Original Lithos by Marc Chagall

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Price including buyer’s premium and sales tax: $ 251.48 (₪943.05)
Start price:
$ 200
Buyer's Premium: 22% More details
VAT: 17% On commission only

"Derriere le Miroir" (DLM) no. 198 (1972) incl. 3 Original Lithos by Marc Chagall
This sale is for the complete publication of "Derriere la Miroir" (DLM) no. 198 (1972) incl. 3 Original color Lithographs Marc Chagall. Derrière le Miroir’s 36 years of publication saw the many of the 20th century’s greatest artists submit their works to the magazine. Each issue of the magazine featured one artist’s original lithograph along with multiple reproductions. Their works were set alongside the poetry of France’s great writers of the same period. Artists featured include Braque, Calder, Chagall, Chillida, Giacometti, Léger, Matisse, Miro and Tapies. That their works were juxtaposed to the writings of such great thinkers as Aragon, Beckett, Char, Eluard, Prévert, Queneau, Reverdy and Sartre, ensured that the magazine would find itself a special place in the annals of art publications as the cross-roads of art both visual and verbal.

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