New year opens with KooKoo, Israel's promising young artists -
For this sale, we combined two opposites: a selection of realistic works by the best artists alongside pop art works: everything is Israeli - everything is contemporary!
Gala Gilan, Roni Yoffe, Avia Halabi and Shani Shemesh lead the sale with fine works of realism - pay attention to the sculpture with the scent of Italy that brought Shani Shemesh to Israel first time with KooKoo
Lena Revanko with six beautiful works that returned to Israel after an exhibition in France,
KOT-ART, which has already been sold in the gallery for thousands of dollars to create with four large and cool pop art works at KooKoo's prices,
Eran Weber with three pulsating drawings!
Julie Filipenko with a beautiful original work for collectors
Isaac Jacobs with particularly large and significant works,
In this sale, we will introduce you for the first time to Shay Katz - a young and interesting artist, Smadar Kilchensky - an Israeli actress and painter, Kobi Zarfati - a realist painter, a graduate of the station, Eyelet Rosenberg and Lior Ron
And also - Bazooka Joe, Orit Akta, Vered Aharonovitch, Naomi Shalev, Mor Rimmer, Yariv Amitai, Michal Worka, Israel Dror Hemed, Diana Kogan, Doron Wolf and many more
KooKoo takes care of you for the best, contact us 0558859447 (Lisa)
Enjoy and good luck :) (As always - prices include VAT and no VAT added)
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LOTTO 32:
Ayelet Rosenberg
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Prezzo iniziale:
$
200
Prezzo stimato :
$350 - $420
Commissione per la casa d'aste: 15%
IVA: 17%
Solo su commissione
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"Sewing Machine in Blue'' 2021
Ink on framed cardboard
21/19 cm including frame
signed
Ayelet Rosenberg (1991) lives and works in Tel Aviv.
She studied art at the Seminar haKibbutzim and currently teaches drawing and painting in the Seminar Kibbutzim Art Department.
'' The topics of my work are varied and changing, but there are recurring themes in my work that are mainly related to dialogue and correspondence. I create dialogues between different artists through images and examine the connection created, use it for my work.
I also deal with contrasts and concealment: cover and concealment versus exposure, visual multiplicity versus cleanliness and abstraction, galloping and progress versus stay and presence. My type of doing allows everyone a place and a part, and the interpretation remains open. ''
