KooKoo is honored to present you with the 26th auction - at the beginning of May and the beginning of spring
Beautiful realistic oil works by Doron Wolf and realism by the young artist Roni Yoffe
Katia Lifshin with a fine series of cat paintings and a number of amazing oil works - a must for the collection
*** 3 original oil paintings on wood by Haifa artist Mor Rimmer ***
Works from Lena Revanko's latest exhibition that dealt with a story from the Talmud about the seafarers
We pampered your home with ceramic vases in the Bauhaus tradition of the legendary ceramicist Hanna Tal
Also get to know the artist Debbie Oshrat who creates art from brewed tea bags
We brought from abroad: oil paintings on canvas by Vasia Horst from St. Petersburg who presented an exhibition with Zoya Cherkesky and original works by the American-Korean artist Ligan Ko that we framed in good old frames
And more good and cool works just like KooKoo loves
We will make deliveries with a courier for only NIS 39
Please text each request 0558859447 (Lisa)
Enjoy and good luck
(As always - prices include VAT and no extra VAT)
|
LOTE 35:
Naomi Shalev
|
|
|
Vendido por: $120 (₪389)
₪389
Precio inicial:
$
120
Precio estimado :
$300 - $350
Comisión de la casa de subasta: 15%
IVA: 17%
IVA sólo en comisión
|
''Titanic'' 2018
Collage made of newspapers framed
22/25 cm
signed
Meet the best collage artist in the Land of Israel - meet Naomi Shalev
Naomi Shalev, born in Ukraine (1976) is an Israeli artist known for her complex collages.
Naomi lives and works in Yokneam Illit. In her works, Naomi tells her personal story.
Naomi describes her excellent work:
'' I create collages from newspaper clippings from the late 1990s.
My affair with collages began with pornographic magazines. Many years ago, a friend gave me a collection of his Playboy and Hustler magazines - which he no longer needed. I also did not know exactly what to do with that pile ...
I started cutting out pictures and putting them together in funny compositions. I had no better idea at the time. Later I was looking for ways to make larger compositions - I have always loved oversized projects. This is how the technique I work with to this day was born - the use of tears on newspaper pages instead of a brush and paints: painting with newspapers ''.
'' One of the basic elements in my work is suffering. Like any human being, I too have so many unfulfilled desires that will never be expressed, that cause intense mental suffering! This is the statistic - raw material from which, just like pieces of old magazines, I am putting together a new reality - private, much richer and more satisfying than the one I am imprisoned in here, in my physical body. A reality in which I have complete control over how things will look, proceed and develop - something I so miss in the "real" world! "
'' In my works there is always a narrative - a story that is the real reason for the work. A portrait is just a medium through which the story is told. It is true that most of the stories I tell are very personal and even intimate, but at the same time I want to believe that an attentive viewer will be able to "read" them even without knowing me and my life details.
The line between being clear enough to arouse interest and being too verbal is thin and dangerous. But that's exactly what interests me as an artist - to create a readable and recognizable personal symbolic world, but also one that leaves enough room for personal interpretation. "
