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In the present catalogue, a distinct chapter is dedicated to the Dayan family, featuring personal letters, photographs, books and documents from the estate of Ruth Dayan; together, this miniature collection recounts the story of the Dayan-Schwartz family over three generation, from Moshe's father Shmuel Dayan to Ruth's and Moshe's children. Included in this collection are a number of letters written by the famous of all Dayans – Moshe Dayan, and a variety of letters and other items sent or presented to family members, such as pictures dedicated to Moshe Dayan by Nobel peace prize laureate Albert Schweitzer, a micrography by Abraham Haba and a letter of appreciation to Moshe Dayan by Yigael Yadin, who served as IDF chief of staff during the 1948 War.
The art chapter features a number of Old Master works – including a forest view by Allaert van Everdingen and "Ruins of the Brederode Castle" attributed to Jacob Isaackszoon van Ruisdael – as well as works of Israeli and Judaic art from the collection of art historian Uzi Agassi.
the catalogue also includes an extensive chapter dedicated to numismatics, with an abundance of scrips and coupons, some used by Jewish Palestinian communities in times of distress and need (World War I, the 1948 siege on Jerusalem), some issued by small businesses throughout Palestine – bakeries, groceries and various stores, many of which had gone out of business soon afterwards. The chapter also includes various coins and banknotes: Ottoman, mandatory, and Israeli banknotes and coins, and two silver amuletic medals struck in honor of the formation of the Mandatory government and the appointment of High Commissioner Herbert Samuel.
The catalogue further features a variety of choice items representing the history of Palestine and Zionism – rare books (such as Sh.Y. Agnon's first book published in Palestine and "Tsveyuntsvantsik" by Ka-Tsetnik), letters and manuscripts (by Leah Goldberg, Shaul Tchernichovsky, Uri Tzvi Grinberg and Agnon), publications and ephemera from central events in the history of Zionism (the Katowice conference protocol, autograph postcards by Leo Motzkin), travelogues and scholarly works, Bezalel art, rugs, photographs and more.
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LOTE 46:
Dosh – Seven Political Caricatures
más...
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Vendido por: $200 (₪634)
₪634
Precio inicial:
$
200
Comisión de la casa de subasta: 25%
IVA: 17%
IVA sólo en comisión
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Dosh – Seven Political Caricatures
Seven original caricatures by Dosh (Kariel Gardosh). [Israel, ca. 1950s-1960s].
Felt-tip pen, ink and correction fluid on paper.
Dosh is the pseudonym of Karl (Kariel) Gardosh (1921-2000). He was born in Budapest; after finishing high school in Budapest, he studied at the University of Szeged. With the outbreak of WWII, he was sent to a forced labor camp. Upon his return to Budapest after the war, he discovered that his parents and most of his family had perished in the Holocaust. In early 1946, he left Hungary and moved to Paris where he studied comparative literature at the Sorbonne. In 1948, Gardosh immigrated to Israel, changed his name to Kariel, joined the Lechi and found work drawing caricatures for its journal, HaMa'as. Gardosh was arrested following the murder of Folke Bernadotte, and after his release, he worked as the graphic editor of the magazine HaOlam HaZe. In 1953 he joined Maariv, where he published a daily caricature for many years. Gradually he started writing articles, stories and skits for the newspaper. He also wrote for the Hungarian-language newspaper Új Kelet (The New East). In 1956, Dosh first created the figure of Israelik, who became a popular symbol of the State of Israel and its people. Later, the name Israelik was shortened to Srulik.
Most of these caricatures feature Srulik, representing the State of Israel, and deal with the military conflicts with Egypt, Israel's inner politics, Israel's relations with other countries and the Six-Day War. Some of them were captioned by Dosh or bear printing instructions in pencil and in pen.
Approx. 18X22 cm to 19.5X32.5 cm. Good condition. Yellowing paper. Stains. Creases. Fold lines. Minor closed and open tears, some repaired, mostly not affecting the caricatures. Large open tears at the edges of two leaves, not affecting the caricatures. Torn filing holes. Crayon scribble on one of the leaves.
Provenance: The Rimon Family Collection.
